A symbol of the city itself, the Duomo is one of the most beautiful in Italy. The construction began in 1290, with the support of both the Catholic Church and the city. The intent was to create one large cathedral for the city, to replace two decaying churches that existed there before. It should also be noted that the delightful story of the event of the Miracle of Bolsena encouraged the construction of the Duomo.
The Duomo is a magnificent building that brings together different architectural styles. In particular we can define a fine example and balance of Gothic and Romanesque styles. There were many people who participated in the various phases of design and construction. Arnolfo di Cambio, and Lorenzo Maitani, with regard to the design (in particular Maitani for much of the credit of the splendid facade) and a lot of sculptors, goldsmiths and painters as regards the landscaping and finishing.
Among the sculptors is Ippolito Scalza (local architect of several works in Orvieto including the Town Hall), which can be seen inside the Duomo, the Statua della Pietà. Among the painters are Ugolino di Prete Ilario, Gentile da Fabriano, Beato Angelico and Luca Signorelli’s frescoes in particular for the two beautiful chapels of San Brizio, and the Corporale.
The San Brizio Chapel and The Corporale Chapel
Of particular value and beauty are the frescoes by Signorelli in the Cappella di San Brizio (San Brizio chapel) where the artist plays with skill and very engaging choreography, the theme of the Last Judgment, in a striking alternation of apocalypse and redemption. The cappella del Corporale has frescoes based on scenes from the Bible and sacred representations. Among them stands out the painted panel depicting the “Madonna dei Raccomandati” by Lippo Memmi (dated 1320). The same chapel houses the shrine of the Corporale (admirable work of the goldsmith Ugolino di Vieri) and on display is the tabernacle containing the Holy Body of linen stained by the blood of Jesus at the Miracle of Bolsena. The Tabernacle with the sacred linen is carried in procession every year at the Feast of Corpus Domini after a historical procession.
Also inside the Duomo you can admire many other decorative elements of absolute beauty, such as the fonte battesimale and the massive pipe organ.
However, much of what in the past contributed to inside decor, such as statues, paintings, and jewelry, are now kept in museums in Orvieto, and waiting to be exposed according to a plan of restoration and reorganization of the Museum Opera del Duomo in the Palazzi Papali. Under this project, the new exhibition area will offer visitors the chance to admire the precious objects that are part of the furnishings of the Duomo (including the 12 large statues of the apostles who until 1800 were located at the base of each column of the Duomo), as well as all the ancient papers, sketches and original designs that belong to the Opera del Duomo, and were used to create this magnificent monument.
Rose window of the Cathedral of Orvieto
The Rose Window, by Andrea di Cione, also known as Orcagna (1354-1380), is the focal point and catalyst for the observer of the cathedral facade. It consists of a double row of columns with intersecting arches, where the center stands the face of Christ the Redeemer surrounded by mosaics in 4 triangles. These are by Piero di Puccio (1388), and depict the four doctors of the church: St. Augustine, St. Gregory the Great, St. Jerome and St. Ambrose. Externally, the Rose Window is surrounded by sculptures representing, among others, the apostles and 12 prophets. The statues and the heads are in travertine.
The bronze sculptures that decorate the facade of the Duomo symbolize the four Evangelists and, the Angel (St. Matthew), the Lion (San Marco), the Eagle (St. John) and the Bull (St. Luke).The bronze sculpture above the central door is the Virgin and Child, which was recently restored. The bronze works that symbolically represent the four evangelists are the work of the Maitani. In 1970 the original wooden doors of the cathedral were replaced with the bronze doors. The latter represent the Works of Mercy, a work by the Sicilian sculptor Emilio Greco. The ground floor of Palazzo Soliano, houses a museum dedicated to him with an exhibition of some of his works in bronze.
The mosaics of the Cathedral of Orvieto
The mosaics of the facade of Orvieto Cathedral concern the Virgin to which the cathedral was dedicated. The mosaics tell the story and scenes from the life of the Virgin, the assumption into Heaven, the Nativity, up to the Coronation.
In the segments on either side of the gables there are images of The Annunciation, The Apostles in Ecstasy for the Assumption of the Virgin, Joachim and Anna. Finally, in the upper cusps are represented: The Marriage of the Virgin, the Presentation of Mary in the Temple, the Coronation of Mary.
Bas Reliefs of the Cathedral of Orvieto
The four cathedral pilaster have large marble bas reliefs, each representing images and stories of a religious nature:
The first relief depicts stories of the Old Testament with images depicting the history of Genesis. These are scenes that trace the days of creation (creation of animals and plants) and the birth of Adam and Eve. Other scenes in this pilaster depicting Eden, the original sin, the divine condemnation and symbolic presentation of Cain slaying Abele.
In the second relief we have the Tree of Jesse, with the genealogy of the descendants of Jesus and Messianic prophecies and scenes with Abraham, King David, Solomon and the Crucifixion.
In the third relief are the gospel stories narrated in the New Testament, with scenes of the activity of Christ, the Nativity and the Annunciation. Other scenes in particular the massacre of the innocents, the kiss of Judas, the scourging of Christ and Mary at the holy sepulcher.
In the fourth relief it is represented a recurring theme in the arts representational works of the Cathedral: the Last Judgement. Images of the damned and the elect, the resurrection of the dead. The same theme is beautifully represented in painting the frescoes by Signorelli in the Chapel of San Brizio with apocalyptic scenes and the resurrection of the body.
Torre di Maurizio
The nearby Torre di Maurizio is located between the square and the beginning of Via del Duomo; on top of this medieval tower is still working and prominent bronze statue that “strikes the hours” hitting a large bell with a hammer.
The original function of this mechanism was to “clock de muriccio” (muriccio means construction site) so the name later became popularly “Maurizio”), mark the times for the workers working on the construction of the Cathedral.
In 2014 the Cathedral was the center of the Extraordinary Jubilee commemorating the 750th anniversary of the Eucharistic Miracle of Bolsena and the first establishment of the religious catholic feast of Corpus Domini (Corpus Christi), one of the most important religious celebration for all the catholics.
Tickets for the Duomo and Chapel of San Brizio: Euro 4.00 per person
Children up to 10 years old are free.
Visiting hours for the Duomo and San Brizio Chapel
November through February: 9:30am to 1:00pm and 2:30pm to 5:00pm
March and October: 9:30am to 6:00pm
April through September: 9:30am to 7:00pm
Sundays and Holidays
November through February: 2:30pm to 4:30pm
March, April, May and October: 1:00pm to 5:30pm
June, July, August and September: 1:00pm to 6:30pm
Crypt: Every day 10:00am to 12:00pm
Visiting hours may vary for religious liturgies
The Duomo is in Piazza del Duomo, and you can reach it by walk or urban bus.
Also available in - disponibile anche in: Italiano